Cultural Interaction as a Concept in European Ceramic Art
DOI:
https://doi.org/10.59890/ijsr.v4i2.350Keywords:
Cultural Interaction, Global Ceramics, Contemporary Art, Cultural ExchangeAbstract
First Section: The Concept of Cultural Interaction: Contemporary technological advancements have changed new artistic concepts, contradicting art theories. They have attracted contemporary capitalism with new patterns that create open spaces to transform art into a transactional field. Cultural exchange through the promotion of contemporary artistic ideas is a cultural transactional concept. It originated from linguistic and social thought, where knowledge, culture, and language are exchanged between individuals and different societies. Over time, this concept has evolved to encompass other sectors of social and cultural life, including the visual arts. This discourse reflects profound changes in society and culture, seeking to understand and effectively confront these changes, which requires a careful analysis of modern cultural, social, and economic concepts. Sociology of culture has played a significant role in knowledge and has made its position a space for research and analysis. It involves identifying the elements of artistic work and connecting them meaningfully to the era and the culture to which they belong. Contemporary interactive artworks contribute to the national economy by attracting audiences and promoting cultural and artistic tourism. When visitors attend art exhibitions or live performances, they spend money on tickets, accommodations, shopping, and other expenses, stimulating the national economy.
References
Abdel Hassan, Rasha Saad, The Effect of Borrowing Relistic Manufactured Shapes in Econtemporary, SCIENTIFIC CULTURE, Vol. 9, No.1.
Alex Callinicos, "Reading in Fredric Jameson's Postmodernism," translated by Bashir Al-Sabaie, Al-Mustaqbal Al-Arabi, November 11, 1992, p. 50.
Balsam Mohammed, Lecture (Globalization), College of Fine Arts, Department of Visual Arts, 9/11/2020, 11:00 AM.
Balsam Mohammed, Lecture (Globalization), Faculty of Fine Arts, Hall of the Department of Visual Arts, 9/11/2020, 11:00 AM.
David Harvey, The Condition of Postmodernity: An Inquiry into the Origins of Cultural Change, translated by Mohamed Shia, The Arab Organization for Translation, Beirut, Lebanon, 2005, p. 29.
Dr. Emad Abdel-Ghani, Sociology of Concepts and Issues from Modernity to Globalization, 1st edition, Beirut, 2006, p. 9.
Dr. Emad Abdel-Ghani, Sociology of Culture: Concepts and Issues from Modernity to Globalization, translated by Abdelwahab Al-Aloub, Dar Al-Osra, 2005, p. 4.
El-Basyouni, Mahmoud: Art in the Twentieth Century, Hala for Publishing and Distribution, n.d., p. 19.
Ernst Gombrich, The Story of Art, translated by Arif Hujaifa, Bahrain Authority for Culture and Antiquities, 1st edition, Bahrain, 20016, p. 561.
Eugene Kleinbauer, Modern Art: A Concise History, revised edition, Prentice Hall, Upper Saddle River, New Jersey, 2005, p. 13.
Farag Abboud, The Elements of Art, Dar Al-Delfin for Publishing, Cairo, 1982, p. 625.
Farag Abboud, The Elements of Art, Dar Al-Delfin for Publishing, Cairo, 1982, p. 625.
Farag Abboud, The Elements of Art, Dar Al-Delfin for Publishing, Cairo, 1982, p. 625.
Frederic Jameson, "Postmodernism, or the Cultural Logic of Late Capitalism," New Left Review, 1984, p. 47.
Fredric Jameson, Postmodernism, or, the Cultural Logic of Late Capitalism, Verso, London, 1991, p. 385.
Gaston Bachelard, The Philosophy of Refusal, translated by Ahmad Khalil Ibrahim, Dar Al-Hadatha, Beirut, 1985, p. 13
George Santayana, The Life of Reason, The Santayana Edition, Based on the texts originally published in 1905, p. 93.
Hawayd El-Sabaie, Postmodern Arts in Egypt and the World, Egyptian General Book Organization, Cairo, 2008, p. 79.
Hawayd El-Sabaie, Postmodern Arts in Egypt and the World, General Egyptian Book Organization, Cairo, 2008, p. 79.
Herbert Read, Art and Society, translated by Fathi El-Bab Abdel Halim, Matba'at Shabab Mohammed (s), p. 89.
Ibrahim Ahmed, The Problem of Existence: The Problem of Existence and Technology in Martin Heidegger, Dar Al-Masirah, Cairo, 1986, pp. 95-110
Jawad Al-Zeidi, "The Limits of Acquisition in Contemporary Arab Art," Dar Al-Najah Al-Jadida, Damascus, 2013, p. 92.
Jean Baudrillard, The Consumer Society: Myths and Structures, translated by Chris Turner, Sage Publications, London, 1998, p. 47.
Jean Baudrillard, The Consumer Society: Myths and Structures, translated by Chris Turner, Sage Publications, London, 1998, p. 47.
Jean-François Lyotard, The Postmodern Condition: A Report on Knowledge, translated by Geoff Bennington, Manchester University Press, Manchester, 1984, p. 40.
Julian Stallabrass, Art in the Age of Risk and Ruin, source cited, p. 59.
Julian Stallabrass, Art in the Age of Risk and Ruin, translated by Mervat Abdel Fattah Shata, Hindawi Publishing, Cairo, 2012, p. 57.
Julian Stallabrass, translated by Mervat Abdel Fattah, Contemporary Art: A Short Introduction, Hindawi Publishing for Culture and Education, Cairo, 2014, p. 24.
Julian Stallabrass, translated by Mervat Abdel Fattah, Contemporary Art: A Short Introduction, Hindawi Publishing for Culture and Education, Cairo, 2014, p. 24.
Khalil Quweye'a, The Structure of Taste and the Authority of the Model in the Phenomenon of Arabic Artistic Acquisition, Department of Arts, Department of Culture and Information, Sharjah 2013, p. 17.
Laila Mukhtar Ahmed, "The Art of Ceramics and Its Relationship to Modern and Postmodern Art," University of Sudan for Science and Technology, Journal of Humanities, 2018, p. 127.
Lecture by Dr. Najm Abdul-Haider, Pragmatics and Communication, PhD students, 9:00 AM, Hall of the Department of Visual Arts, Sunday, May 6, 2021.
Ludwig Wittgenstein, "The World is the totality of existing states of affairs," Tractatus Logico-Philosophicus, London, 1953, quoted in Robert Scholes, Structuralism in Literature, translated by Hanna Abboud, Union of Arab Writers, 7th edition, 1984, p. 14.
Mark Geims, what is Aesthetics? translated by Charbel Dagher, Centre for Arab Unity Studies, 1st edition, Lebanon – Beirut, 2009, p. 153.
Mike Featherstone, Global Culture: Nationalism, Globalization, and Modernity, translated by Abdelwahab Al-Aloub, Dar Al-Osra, 2005, p. 4.
Mohamed Mahfouz, "Consumption from an Economic Perspective," Al-Riyadh Newspaper, Kingdom of Saudi Arabia, 2018.
Mohammed Abbas Fadhel, Mohammed Challoob Al-Kinani, "The Transformations of the Genres of Art with the Effectiveness of the Paradigm, the Performance Art as a Model," Journal of Namibian Studies, 33(2023): 2587–2600.
Muhammad, Warqaa. The effect of using bentonite in the production of ceramic glaze (Crawling). Journal of Namibian Studies, 33 S1(2023): 590–604.
Neils, Liens, "Modernity and Postmodernity," translated by Joseph Nader, Foreign Culture Journal, No. 3, Year 8, 1988, p. 43.
Noora Nasser Al-Nahary, "The Role of Contemporary Interactive Artworks in Economic and Cultural Terms (An Analytic Study)," Journal of the Academy of University of Baghdad, No. 102, Year 2021, p. 123.
Noora Nasser Al-Nahary, "The Role of Interactive Contemporary Artworks in Economic and Cultural Terms (An Analytical Study)," Journal of the Academy
Nouri Adi Al-Quraishi and Qasim Khadir Abbas, "The Pragmatic Dimension of Visual Signs in Contemporary Iraqi Posters," Journal of the Academy of the University of Baghdad, No. 106, Year 2022, p. 367
Rodan Hamdia Kazim, "Cultural Systems in Contemporary Mexican Art," Journal of the Academy of the University of Baghdad, No. 100, Year 2021, p. 73.
Serafeta, Como, Technology and Culture in the Ages, translated by Dr. Mustafa Jassim, Abu Dhabi Tourism and Culture Authority, 1st edition, 2012, p. 13.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Hayder Abdul Hussein Majhool
This work is licensed under a Creative Commons Attribution 4.0 International License.
